We are all now familiar with the winners of the first ever Babelgum Online Film Festival - and I’m sure we’ll be hearing more from them in the near future. But let’s not forget the other films which proved a hit with the Babelgum audience and jurors. They made it to the final stage of the competition, which in itself is a great achievement.
We asked the nominees 3 simple questions and will be publishing their answers here on the blog over the next few days. To kick us off, here are two interviews with the nominees for the Documentary Award.
Ana Husman - BOFF nominee for “The Market”

1) Why did you choose to enter this particular film for the Festival (if you’ve made others)?
It is my most recent film so I felt it was the best one to represent me.
2) How did the Babelgum Online Film Festival differ from other film festivals that you’ve entered in the past?
Its advantage is that it is online and reaches other audiences than film festivals which are based in one place. Also your friends can vote for you
3) Will you enter again next year? If so, what will you do differently in terms of format, subject, style, now that you’ve seen the other films in this year’s festival?
Probably I will. I just finished a new film and it is combination of stop frame animation and continuous shot. It deals with rules of correct social behaviour found in etiquette manuals, which present themselves as aiding communication and helping people understand each other. They are typically found in western civilisations, and compliance with them makes it easy to discern who is civilised and who is not. The film deals with customs of eating and drinking - specifically with the lunch situation, as communal eating is the central site for showing others our breeding and finesse.
Hazel Chandler - BOFF nominee for “WAYOut”

1) Why did you choose to enter this particular film for the Festival (if you’ve made others)?
Well it was the name Spike Lee that first caught my attention. I admire his work and liked the sound of what he was trying to do. WAYout is a film about music in Sierra Leone so it seemed the perfect platform for it. I also like the idea of the audience getting a say.
2) How did the Babelgum Online Film Festival differ from other film festivals that you’ve entered in the past?
What is particularly great is that you know what’s happening with your film. Most festivals you send it in and then maybe one day you get an email telling you if it is accepted or not. With this festival you got regular updates and felt involved in the process. Of course it also means your friends and colleagues can see it and vote if they want to. Again, with most festivals, they never even know what you entered.
This way we got a lot of feedback and WAYout is now a charity supporting young people into music in Sierra Leone. The idea to make WAYout a charity was already in the air but the attention it got through Babelgum certainly spurred us on. We got the official charitable status through the same week the announcement that we were finalists came through.
3) Will you enter again next year? If so, what will you do differently in terms of format, subject, style, now that you’ve seen the other films in this year’s festival?
Definitely would do it again. I wouldn’t base what I entered on the other films entered simply because I think you have to make the films you believe in regardless of what others are doing. Because we had no budget for WAYout there was no proper online or audio dub and I would hope to find funding to do those things for next year.